Since 2003 do I work
regularly international as teacher, theatre director or facilitator with
drama and puppetry. I visit yearly Badungduppa and the Kattaikkuttu
Gurukulam in India, where authentic music theatre is taught, to advice
and coach.
Research Project about the
relation between Theatre and Nature
From 17-28 augustus 2011
do I work with director Sukra Rabha and actors of theatregroup
Badungduppa Assam,India
For the first time are they exploring their own dense
green jungle as theatrespace. They climbe the trees, sing and improvise.
Down into earth holes with mud body's, becoming united with rocks. We
create puppets from leaves, sticks and seads. This workshop is about
exploring natural materials and spaces. But also about inner
communication with nature and the inspiration nature can give.
STONESOUP National
School of Drama Bangalore, India
In July and August 2011 did I
directed a childrens-play with 20 student in Theatre and Education of the
National School of Drama, Bangalore Chapter
Septembre 2011 the actors tour around schools in Karnataka
The audience is witness of the
rehearsals of the play Stonesoup. Three travellers make soup with a
magic stone. the rehearsal get disturbed by the daughter of the director
and an other theatregroup with puppetry, juggling, magic and Faceless
Wonder, a woman without a head. Comedy and filosophy. How far are the
stars? Who am I? What is responsability?
We performed for slumchildren and eminent persons. Both enjoyed.
COMPARSA,
HONDURAS, 2010
Together with Monique
Riphagen and Roderik Sommerdijk and young artists of Arte Accion do we
design and build puppets, masks and objects for a parade (Comparsa) in
Tegucigalpa, capital of Honduras. The streets of this big city are
unsafe because of political problems and terrorism. Theatre Embassy did
send us to Latin America to bring happiness and hope to young people
through theatre and art. ( www.theatre-embassy.org)
POWER OF PUPPETRY, ASSAM.
INDIA
2008/2009 Theatre Embassy
I
did work with young actors of different tribes and states in North East
India to train them in puppetry, acting and arts to raise their voice.
Our host in Assam is the theatre group Badungduppa (www.badungduppa.org)
in the small village Rampur. The villagers live in fear and insecurity
due to the political situation in this region. The desire for peace and
development was the theme of the final performance of this project, the
performance ‘Bijuli’.
“
‘ Bijuli’ is a wonderful work of theatre. Very imaginative, powerful and
evocative. It was so moving to see those young actors from the
North-East. They performed with such passion, commitment and power. You
deserve our gratitude for having enabled them to do so. And I learned
and relearned things about the theatre, as I was seeing the performance.
‘ Bijuli’ reaffirmed my faith in the power of theatre and renewed it.
Keep coming back, Evelien. You are an adopted daughter of India, and a
world citizen, as much as a daughter of Holland.
With warm regards, Raghunandana
2006
RANGAKISHORA, MYSORE, Karnataka Recensie
Direction Youth Performance ' Kathegala Kanaji', 'Grandmothers story
store room.' With
a group young and enthusiastic actors of Rangayana did I make a make a
puppetperformance about a queen that was addicted to TV . At one day, as
she discovers about grandmothers that tell stories to the children, she
decide to steal this stories and fairytales…..
2005 Kattaikkuttu Sangam, Kancheepuram, Tamil Nadu
Together with director P. Rajagopal and visual artist Christa ten Brinke
did I direct the Kattaikkuttu performance the Milky Ocean with students
of the Kattaikkuttu Gurukulam. We did explore the combination of
traditional and modern theatre.